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  • 1.
    Ahlberg, Susann
    Kristianstad University, School of Education and Environment.
    Munkarna på heden: Cistercienserna i Herrevad2011Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    År 1144 anlände abbot Robert, elva konverser och nio lekmän från cisterciensklostret i Citeaux till Herrevad, där ärkebiskop Eskil upplåtit mark till dem för att bygga upp ett cistercienserkloster på då dansk mark. I 400 år tronade klostret på heden och blev ett maktcentrum i regionen. Klostermedlemmarna som vigt sitt liv åt att hedra och tjäna Gud blev därmed ett inslag i bygden som satt spår långt in i vår tid. Hantverk som klosterorden tog med sig och sedermera utvecklade blev också en del av bygdens. En bygd som med sin placering gav mycket tillbaka till dem som brukade den, det var perfekta förhållanden att driva ett självhushållande kloster i.

    Syftet med uppsatsen är att klargöra vilken denna klosterorden var för att på så vis kunna väcka ett nytt intresse för något som fallit i glömska inte bara på lokal nivå utan också som en del av Skånes historia. Fortsatt är intentionen med uppsatsen att peka på det som levt kvar i bygden och därmed blivit en del av dagens samhälle som vi kan tacka dessa medeltida munkar för.

  • 2. Ahlin, Lena
    African-American autobiography: from slave narratives to the Autobiography of an ex-colored man2004In: Nineteenth-century studies in Lund and Copenhagen: proceedings of a symposium organized by the Department of English, Lunds University, 9-10 November 2002 / [ed] Cecilia Wadsö Lecaros, Stockholm: Almqvist & Wiksell, 2004, 54-61 p.Conference paper (Refereed)
  • 3.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    "All we wanted to do, now that we were back in the world, was forget": on remembrance and forgetting in Julie Otsuka's novels2015In: American Studies in Scandinavia, ISSN 0044-8060, Vol. 47, no 2, 81-101 p.Article in journal (Refereed)
    Abstract [en]

    This article considers Julie Otsuka's representations of the World-War-II internment of Japanese Americans in When the Emperor Was Divine (2002) and The Buddha in the Attic (2011) from the perspective of collective remembrance, thus highlighting the interconnectedness of remembrance, forgetting, silence and race. Remembering and forgetting are understood as contingent on one another, and on the ideological currents and countercurrents that affect the construction of collective remembrance. The article argues that the content and form of Otsuka's novels mediate the cultural silence of the internment. In addition, they illustrate the changing nature of the narrativized remembrance of the internment as accounts of the lived experience of the Japanese Americans who went to camp are being replaced by trans-generationally transmitted, imaginatively recreated memories. The historical silence of the incarceration and its aftermath is sometimes explained in terms of "Japanese culture," but such a description risks reducing the impact of the racialization of Japanese Americans, and obscuring its effect on resistance. Finally, the analysis demonstrates that in Otsuka's texts, remembrance of the internment is characterized by a negotiation between repressive erasure and restorative forgetting.

  • 4. Ahlin, Lena
    Från Harlem till Köpenhamn: svart amerikansk identitet i Nella Larsens Quicksand1999In: Hjärnstorm, ISSN 0348-6958, no 67-68, 48-51 p.Article in journal (Other academic)
  • 5.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    On the Legacy of Maxine Hong Kingston: The Mulhouse Book2014In: American Studies in Scandinavia, ISSN 0044-8060, Vol. 46, no 2, 97-100 p.Article, book review (Other academic)
  • 6.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    The British slave trade2008In: Encyclopedia of Blacks in European history and culture. Vol. 2 / [ed] Eric Martone, Westport, Conn.: Greenwood Press , 2008, 487-491 p.Chapter in book (Refereed)
  • 7.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    The doctor and the pastor: on love and evil in Hjalmar Söderberg's Doctor Glas and Bengt Ohlsson's Gregorius2012In: Forum for World Literature Studies, ISSN 1949-8519, E-ISSN 2154-6711, Vol. 4, no 2, 260-275 p.Article in journal (Refereed)
  • 8.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    The Harlem renaissance: depicting the "New Negroe"2009In: African-American poets / [ed] Harold Bloom, New York: Bloom's Literary Criticism , 2009, New ed., 147-164 p.Chapter in book (Refereed)
  • 9.
    Ahlin, Lena
    Lunds universitet.
    The "New Negro" in the Old World: culture and performance in James Weldon Johnson, Jessie Fauset, and Nella Larsen2006Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis investigates the relationship between the “New Negro” moment of the early twentieth-century America and the Old World of Europe, as represented in James Weldon Johnson’s The Autobiography of an Ex-Colored Man (1912), Jessie Fauset’s There is Confusion (1924), and Nella Larsen’s Quicksand (1928). In the nineteenth century, Europe functioned as a symbol of freedom, education and art in the African-American literary imagination. It is my contention that these notions are questioned in the novels of Johnson, Fauset and Larsen.

    The episodes set in Europe are seen as a lens through which the role of the African-American in Western civilization can be studied. The African-American artist/protagonists are seen as cultural intermediaries, who bridge Euro-American and African-American culture, national and folk culture, high and low culture. Their performances are here understood as crucially related to the geo-cultural symbolism of Europe. Performance is considered as a vital part of African-American identity formation, tallying with the double consciousness that DuBois identified as characteristic of the African-American. I suggest that in these novels, the trope of performance (based on double consciousness) is used to critique the notions of race and culture, whereby conceptions of racial essentialism and cultural authenticity are questioned. The novels themselves are also considered as performative acts that helped form the concept of a New Negro in the 1920s.

    To approach the social meaning of these novels, they can be contrasted with vernacular African-American art forms, here represented by music, such as blues, ragtime and jazz.Music, which plays an important part in all the novels, is analyzed in relation to the European-derived novel. This is a discussion in which the notion of authenticity surfaces, with regard to what constitutes a black identity and a “black text.” I argue that music here functions as an index of cultural identity and a motif through which this identity could be re-imagined. However, instead of offering simple affirmations of a shared black identity, the novels initiate discussions of what can and cannot signify “blackness.” The texts of Fauset and Larsen are particularly ambiguous in this respect, indicating the authors’ sensitiveness to the combined limitations of race and gender.

  • 10.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Uppror mot en svartvit världsbild2008In: Svenska dagbladet, ISSN 1101-2412, no 1/2Article in journal (Other (popular science, discussion, etc.))
  • 11.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    "We don't think of these things here": on teaching African American texts in Sweden2007In: European scholars teaching African American texts / [ed] Simcikova, Karla, Ostrava: University of Ostrava , 2007, 33-44 p.Chapter in book (Other academic)
  • 12.
    Ahlin, Lena
    Kristianstad University, School of Education and Environment, Avdelningen för Humaniora.
    Writing and Identity in Jane Jeong Trenka’s Life Narratives2017In: International Adoption in North American Literature and Culture: transnational, transracial and transcultural narratives / [ed] Mark Shackleton, Palgrave Macmillan, 2017, 121-142 p.Chapter in book (Other academic)
    Abstract [en]

    This chapter explores the connection between writing and subjectivity in Jane Jeong Trenka’s two memoirs, The Language of Blood (2003) and Fugitive Visions (2009), suggesting that the two texts participate in a dialogue in which questions that were raised in the first work are revisited and reconsidered in the second. The result is a multilayered and at times conflicted life narrative, which offers no simple solutions to the complex questions of identity raised. While Trenka’s texts address the unspeakable aspects of adoption and the inability to recover parts of the past, they also address the materiality of adoption. Common adoption myths, such as the discourse of rescue, and the myth of color-blindness, are debunked. The chapter argues that there is a tension in the texts between the representation of adoption as trauma with individual as well as societal implications, and adoption as a productive site generating questions of identity and origin of universal relevance. Placing the form and act of narration in focus, the analysis suggests that the adoption narrative may function as an empowering imaginative space for the production of identity. In addition, the paper traces how sensory experiences are used to re-enact the past—or even instill new memories to replace the perceived gaps in the narrative of the past. The two texts suggest that an engagement with and translation of the non-verbal aspects of identity into text can provide acts of self-authorization that demonstrate the restorative potential of the transnational adoptee’s life narrative.

  • 13.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Appreciating literature: a focus on lexis in second language reading2014In: Text analysis: culture, framework & teaching: conference proceedings from the Text Analysis Symposium at Kristianstad University, April 2014 / [ed] Jane Mattisson, Maria Bäcke, Kristianstad: Kristianstad University Press , 2014, 88-96 p.Conference paper (Other academic)
    Abstract [en]

    The appreciation of literature depends on the reader’s ability to understand the author’s use of words — how they are used individually to express explicit and indirect meaning, how they are used in partnership with others to make up set phrases, and how meaning can be distorted for literary purposes by changing a phrase or the order of words in a phrase, all within a specific cultural context. The educated first language reader, familiar with the context, is equipped to read between the lines and achieve a fuller understanding of the text in question. However, for second language readers, lacking that lexical and cultural knowledge, the situation is different and they are at a disadvantage in terms of being able to understand a work of literature. Teachers of English can help their pupils by drawing their attention to words — which words are used and how they are used. Support for this assertion can be found in the research into second language vocabulary acquisition. This tells us that readers need to know at least 95% of words in a text in order to understand that text, and that words must be encountered many times if they are to be learnt. The point of actively working with words over a period of time is twofold: firstly, to increase the reader’s lexical resource in terms of both number of words known and depth of knowledge about them, and secondly, by so doing, to increase the reader’s ability to understand, and therefore appreciate, literary texts. With reference to The Great Gatsby, I will illustrate how teachers of English to university students can extend their learners’ lexical knowledge and appreciation of literature.

  • 14.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Att utveckla kommunikativa färdigheter i engelska: Storylinemetoden2012In: Communicare, ISSN 1893-1502, Vol. 2, no 2, 47-51 p.Article in journal (Other academic)
  • 15.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    `I remember more when it's fun’: teaching English through Storyline2010Conference paper (Other academic)
  • 16.
    Ahlquist, Sharon
    Kristianstad University, Forskningsmiljön Arbete i skolan (AiS). Kristianstad University, School of Education and Environment, Avdelningen för Humaniora.
    Making a difference: Storyline in teacher education2016Conference paper (Other academic)
  • 17.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Storyline: the importance of `fun´in the young language learner classroom2014In: UZRT 2014: Empirical Studies in Applied Linguistics / [ed] Letica Krevelj, S. & Mihaljevic Djigunovic, J., Zagreb: Filozofski fakultet u Zagrebu , 2014, 81-90 p.Conference paper (Refereed)
  • 18.
    Ahlquist, Sharon
    Kristianstad University, Forskningsmiljön Arbete i skolan (AiS). Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Teaching young learners through Storyline: `The more fun it is, the more you learn!´2016In: Modern English Teacher, ISSN 0308-0587, Vol. 25, no 1, 62-64 p.Article in journal (Other (popular science, discussion, etc.))
  • 19.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    The Storyline approach: promoting learning through cooperation in the second language classroom2013Conference paper (Other academic)
    Abstract [en]

    In the Storyline approach a fictive world is created in the classroom. Learners create and take on the role of characters in a story (lasting typically for four to six weeks), which develops as they work in small groups on practical and theoretical tasks linked to the curriculum. The approach offers conditions considered to promote second language development in young learners, namely an engaging, meaningful and motivational context in which communicative language skills are practised holistically. The word learners most commonly use to describe learning English through Storyline is `fun´; one aspect of the work which rates particularly highly is group collaboration. This presentation is based on a research study, Storyline, Our Sustainable Street, in which a class of Swedish 11-13 year olds created families who moved into a new street in a fictive English town. During the course of the Storyline the families took part in a project to live in a more sustainable way, and also had to deal with the problems of illegal rubbish dumping and anti-social neighbours. I will demonstrate how cooperative principles are integral to group tasks in Storyline and how, through cooperation, communicative language skills are developed.

  • 20.
    Ahlquist, Sharon
    Kristianstad University, Forskningsmiljön Arbete i skolan (AiS). Kristianstad University, School of Education and Environment, Avdelningen för Humaniora.
    The storyline approach in teacher education2016In: Lärarlärdom 2016: Högskolan Kristianstad / [ed] Claes Dahlqvist & Stefan Larsson, Högskolan Kristianstad: Kristianstad University Press , 2016Conference paper (Other academic)
    Abstract [en]

    For many primary student teachers, English at school was characterized by a diet of textbooks, public teacher correction and peer ridicule. Such students approach English in teacher education with a lack of enthusiasm, even dread. If we are to produce competent, enthusiastic professionals, this must change. In English didactics, the objectives at Kristianstad University are 1) that students develop language proficiency and theoretical knowledge 2) understand how English can be taught creatively and be able to demonstrate this in practical and written assignments.

    Classroom relationships are often said to lie at the heart of successful language learning (Stevick, 1980). One example of a relational pedagogy, which fosters cooperation and mutual support, is Storyline, in which a fictive world is created in the classroom. A story develops as learners, in small groups as characters in a story, work on a range of meaningful tasks, combining theoretical and aesthetic subjects. At Kristianstad University, student teachers work for two weeks intensively on a Storyline about families moving into a new street in a fictive English town, using English in different ways. At the same time, they analyse what they are learning and how. This has a number of benefits. By working with Storyline, as opposed to just reading about it, the students experience its pedagogical benefits, and not just for the teaching of English. At the same time, their proficiency develops, not least because they are working closely and intensively together on motivating tasks in a supportive classroom atmosphere.

    Hattie (2009) contends that achievement is higher where there is enjoyment. Storyline helps to raise achievement levels because it engages affectively and cognitively, helps to forge closer classroom relationships and through practical work makes visible abstract content (for example, educational and linguistic theories), thus facilitating student learning, as this paper will demonstrate.

  • 21.
    Ahlquist, Sharon
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap.
    Young learner writing and the Storyline approach2012Conference paper (Other academic)
  • 22.
    Ahlquist, Sharon
    et al.
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap. Kristianstad University, Forskningsmiljön Forskning Relationell Pedagogik (FoRP).
    Lugossy, Réka
    University of Pécs, Hungary.
    Stories and Storyline2015Book (Other academic)
  • 23.
    Airey, John
    et al.
    Uppsala universitet.
    Eriksson, Urban
    Kristianstad University, School of Education and Environment, Avdelningen för Naturvetenskap. Kristianstad University, Research environment Learning in Science and Mathematics (LISMA).
    Fredlund, Tobias
    Uppsala universitet.
    Linder, Cedric
    Uppsala universitet.
    On the disciplinary affordances of semiotic resources2014In: Book of abstracts: The First Conference of the International Association for Cognitive Semiotics(IACS-2014), September 25-27, 2014 Lund University, 2014, 54-55 p.Conference paper (Refereed)
    Abstract [en]

    In the late 70’s Gibson (1979) introduced the concept of affordance. Initially framed around the needs of an organism in its environment, over the years the term has been appropriated and debated at length by a number of researchers in various fields. Most famous, perhaps is the disagreement between Gibson and Norman (1988) about whether affordances are inherent properties of objects or are only present when they are perceived by an organism. More recently, affordance has been drawn on in the educational arena, particularly with respect to multimodality (see Linder (2013) for a recent example). Here, Kress et al. (2001) have claimed that different modes have different specialized affordances. Then, building on this idea, Airey and Linder (2009) suggested that there is a critical constellation of modes that students need to achieve fluency in before they can experience a concept in an appropriate disciplinary manner. Later, Airey (2009) nuanced this claim, shifting the focus from the modes themselves to a critical constellation of semiotic resources, thus acknowledging that different semiotic resources within a mode often have different affordances (e.g. two or more diagrams may form the critical constellation).

    In this theoretical paper the concept of disciplinary affordance (Fredlund et al., 2012) is suggested as a useful analytical tool for use in education. The concept makes a radical break with the views of both Gibson and Norman in that rather than focusing on the discernment of one individual, it refers to the disciplinary community as a whole. Put simply, the disciplinary affordances of a given semiotic resource are determined by those functions that the resource is expected to fulfil by the disciplinary community. Disciplinary affordances have thus been negotiated and developed within the discipline over time. As such, the question of whether these affordances are inherent or discerned becomes moot. Rather, from an educational perspective the issue is whether the meaning that a semiotic resource affords to an individual matches the disciplinary affordance assigned by the community. The power of the term for educational work is that learning can now be framed as coming to discern the disciplinary affordances of semiotic resources.

    In this paper we will briefly discuss the history of the term affordance, define the term disciplinary affordance and illustrate its usefulness in a number of educational settings.

  • 24. Aitken, Callaghan
    et al.
    Freij, MariaUniversity of Newcastle.
    Archipelago: an anthology of creative writing from the University of Newcastle2006Collection (editor) (Other (popular science, discussion, etc.))
  • 25. Almgren, Hans
    et al.
    Larsson, Hans Albin
    Alla tiders Historia. Bas2008Book (Other (popular science, discussion, etc.))
  • 26.
    Alwandi, Roaa
    Kristianstad University.
    From "Abnormal" Orphan to Celebrated Hero: A discussion of Harry's development in J.K. Rowling's Harry Potter and the Philosopher's Stone2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay will exlopre the character of one of our times most beloved fictional characters, Harry Potter. The purpose of this esay is to investigate Harry's character in J.K. Rowling's first novel and to show that it is his his character that is one of the chief reasons for the popularity of the book, and indeed, of the entire series. The various different passages in Harry's role are well-illustrated by close reading of the significant passages in different parts of the novel.

  • 27.
    Amedi Dokic, Sandra
    et al.
    Kristianstad University, School of Education and Environment.
    Khazal, Yasmin
    Kristianstad University, School of Education and Environment.
    Grammatik - viktigt men ganska tråkigt: en sjundeklass syn på grammatikundervisning2013Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Syftet med denna studie är att undersöka hur elever i en sjundeklass i södra delen av Sverige förhåller sig till grammatikundervisningen samt hur de menar att läraren kan förbättra undervisningen i grammatik. Arbetet sammanställer akademisk litteratur och tidigare forskning om grammatik och grammatikundervisning i den svenska skolan för att hjälpa oss att besvara de angivna frågeställningarna. Den empiriska undersökningen gjordes i form av en enkätstudie där 14 elever deltog. Studien genomfördes på en grundskola i södra Sverige. Enkätundersökningen visar att de flesta av eleverna har förstått innebörden av begreppet grammatik. Eleverna tycker att grammatikundervisningen är viktig men tråkig och ganska lätt. Studien visar även att eleverna har en god bild av vilken nytta de har av grammatik både idag och i framtiden.

  • 28.
    Amedi, Sandra
    Kristianstad University, School of Education and Environment.
    The possible relationship between gender and motivation: an attitudinal study on gender and motivation as factors in learning English as a second language2013Independent thesis Advanced level (professional degree), 10 credits / 15 HE creditsStudent thesis
  • 29.
    Andersson, Alexandra
    et al.
    Kristianstad University, School of Education and Environment.
    Svensson, Frida
    Kristianstad University, School of Education and Environment.
    Thelander, Martina
    Kristianstad University, School of Education and Environment.
    Bokvalet och dess uppföljningsarbete hos fyra lärare: En kvalitativ studie som undersöker lärares syn på bokvalet i undervisningen samt dess uppföljningsarbete2017Independent thesis Basic level (university diploma), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    I den här studien har vi undersökt hur fyra olika lärare i årskurs 4-6 tänker kring hur de väljer ut skönlitterära böcker till sin undervisning samt hur uppföljningsarbetet går till i de intervjuade lärarnas klassrum. Vi har intervjuat fyra olika lärare och låtit deras elever svara på enkäter och därpå har vi analyserat och gjort en sammanställning av det material vi fått ta del av. Utifrån intervjuerna och enkäterna har vi kommit fram till att lärarna väljer högläsningsboken medan de låter sina elever välja den enskilda läseboken själva. Detta eftersom de anser att det är viktigt att eleverna får välja utifrån sina egna intressen. Vi har kunnat se att lärarna ser stora möjligheter med användandet av skönlitteratur av skönlitteratur i undervisningen vid arbete med ett specifikt tema eller arbetsområde. Svårigheterna med valet av skönlitteratur har visat sig vara bristande tid till att hjälpa alla elever med sitt skönlitterära bokval, sätta sig in i barn/ungdomslitteratur och finna klassuppsättningar. Genom studien har vi kunnat se att det brister kring uppföljningsarbetet av skönlitteraturen som läses i undervisningen eftersom eleverna inte får tid till reflektion av det lästa.

  • 30.
    Andersson, Anders-Petter
    Kristianstad University, School of Health and Society.
    Europeiska ljudlandskap – tur och retur: en betraktelse inifrån av ett soundscape-projekt2010In: Nutida musik, ISSN 1652-6082, no 1, 45-47 p.Article in journal (Refereed)
  • 31.
    Andersson, Anders-Petter
    Kristianstad University, School of Health and Society.
    Interaktiv musikkomposition2012Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation, titled Interactive Music Composition, is a practice based Ph.D. thesis in the field of Musicology. The purpose is to explore if and how one can compose computer based interactive music, that is musically satisfying for an interacting audience, consisting of both laymen and skilled musicians. The text describes the design and reflection in two interactive music installations: Do-Be-DJ, open-air installation in a public park, and, Mufi, with modular and moveable interface. Based on methods and per­spectives in Musicology and Interaction Design, a composition model for interactive music is developed. The model investigates the experience di­mensions listen, explore, compose and collaborate. It also investigates the design dimensions of interaction, narrative structure, composition rule and sound node. The conceptual approach is to apply improvisation and composition methods from jazz, pop and groove based music on interactive music. It also uses the concepts of openess in musical structures and interpretation, musical mediation of actions and meaning and everyday use of music, when composing interactive music. The dissertation contributes to an understanding of how to create composition techniques for interactive music, such as: Direct, varied and shifting response. It reflects on the change in meaning of the musicological terms composition, improvisation, musical work, listener, musician and audience. And on the interaction design terms interaction, gameplay, system and user. The term co-creator is used to describe an actively, interacting and collaborating person, to complement traditional terms like audience, performer and user.

  • 32.
    Andersson, Anders-Petter
    Malmö högskola.
    "Shoot ’em up -musik": om musikaliska strukturer för interaktivt berättande i tevespelet Rez2003In: NM/T Nutida Musik/Tritonus, ISSN 0029-6597, no 2, 26-30 p.Article in journal (Other academic)
    Abstract [sv]

    Det musikdramatiska berättandet har idag lierat sig med nya medier och teknologier. Resultatet av detta är att gränsen mellan lyssnaren och den aktive kompositören håller på att luckras upp. I musiken till datorspelen finner vi ett musikdramatiskt berättande som genom interaktiviteten frångår det traditionella berättandets linjära narratologi. Att komponera musik som både är intressant och samtidigt flexibelt rättar sig efter en publik som fysiskt medverkar till att skapa musiken är kanske vår tids största utmaning för nu verksamma musiker, tonsättare och dramatiker.

  • 33.
    Andersson, Anders-Petter
    et al.
    The Oslo School of Architecture and Design.
    Cappelen, Birgitta
    The Oslo School of Architecture and Design.
    Designing empowering vocal and tangible interaction: 2013In: The International conference on new interfaces for musical expression / [ed] Kyogu Lee, Kaejeon, Korea: Seoul National University , 2013, 406-412 p.Conference paper (Refereed)
    Abstract [en]

    Our voice and body are important parts of our self-experience, and our communication and relational possibilities. They gradually become more important for Interaction Design due to increased development of tangible interaction and mobile communication. In this paper we present and discuss our work with voice and tangible interaction in our ongoing research project RHYME. The goal is to improve health for families, adults and children with disabilities through use of collaborative, musical, tangible media. We build on the use of voice in Music Therapy and on a humanistic health approach. Our challenge is to design vocal and tangible interactive media that through use reduce isolation and passivity and increase empowerment for the users. We use sound recognition, generative sound synthesis, vibrations and cross-media techniques to create rhythms, melodies and harmonic chords to stimulate voice-body connections, positive emotions and structures for actions.

  • 34.
    Andersson, Anders-Petter
    et al.
    Kristianstad University, School of Health and Society, Avdelningen för Hälsovetenskap II. Kristianstad University, Research Platform for Collaboration for Health.
    Cappelen, Birgitta
    The Oslo School of Architecture and Design.
    Musical interaction for health improvement2014In: Oxford handbook of interactive audio / [ed] Karen Collins, Bill Kapralos, Holly Tessler, Oxford: Oxford University Press , 2014, 247-262 p.Chapter in book (Refereed)
    Abstract [en]

    During the past decade, tangible sensor technologies have matured and become less expensive and easier to use, leading to an explosion of innovative musical designs within video games, smartphone applications, and interactive art installations. Interactive audio has become an important design quality in commercially successful games like Guitar Hero , and a range of mobile phone applications motivating people to interact, play, dance, and collaborate with music. Parallel to the game, phone, and art scenes, an area of music and health research has grown, showing the positive results of using music to promote health and wellbeing in everyday situations and for a broad range of people, from children and elderly to people with psychological and physiological disabilities. Both quantitative medical and ecological humanistic research show that interaction with music can improve health, through music’s ability to evoke feelings, motivate people to interact, master, and cope with difficult situations, create social relations and experience shared meaning. Only recently, however, the music and health field has started to take interest in interactive audio, based on computer-mediated technologies’ potential for health improvement. Here, we show the potential of using interactive audio in what we call interactive musicking in the computer-based interactive environment Wave. Interactive musicking is based on musicologist Christopher Small’s concept “musicking”, meaning any form of relation-building that occurs between people, and people and things, related to activities that include music. For instance, musicking includes dancing, listening, and playing with music (in professional contexts and in amateur, everyday contexts). We have adapted the concept of "musicking" on the design of computer-based musical devices. The context for this chapter is the research project RHYME. RHYME is a multidisciplinary collaboration between the Centre for Music and Health at the Norwegian Academy of Music, the Oslo School of Architecture and Design (AHO), and Informatics at the University of Oslo. Our target group is families with children with severe disabilities. Our goal is to improve health and wellbeing in the families through everyday musicking activities in interactive environments. Our research approach is to use knowledge from music and health research, musical composition and improvisation, musical action research, musicology, music sociology, and soundscape studies, when designing the tangible interactive environments. Our focus here is interaction design and composition strategies, following research-by-design methodology, creating interactive musicking environments. We describe the research and design of the interactive musicking environment Wave, based on video documentation, during a sequence of actions. Our findings suggest some interactive audio design strategies to improve health. We base the design strategies on musical actions performed while playing an instrument, such as impulsive or iterative hitting, or sustainable stroking of an instrument. Musical actions like these can also be used for musicking in everyday contexts, creating direct sound responses to evoke feelings that create expectations and confirm interactions. In opposition to a more control-oriented, instrument and interface perspective, we argue that musical variation and narrative models can be used to design interactive audio, where the audio is seen as an actor taking many different roles, as instrument, co-musician, toy, etc. In this way, the audio and the interactive musicking environments will change over time, answering with direct response, as well as nose-thumbing and changing response, motivating creation, play, and social interaction. Musical variation can also be used to design musical backgrounds and soundscapes that can be used for creating layers of ambience. These models create a safe environment and contribute to shared meaning.

  • 35.
    Andersson, Anders-Petter
    et al.
    Institute of Design, The Oslo School of Architecture and Design.
    Cappelen, Birgitta
    Institute of Design, The Oslo School of Architecture and Design.
    Vocal and tangible interaction crossing borders2013In: Include Asia 2013 Proceedings: global challenges and local solutions in inclusive design, Conference on inclusive design / [ed] Jeremy Myerson, London: Helen Hamlyn Centre of Design, The Royal College of Art in London, The Hong Kong Design Centre , 2013Conference paper (Refereed)
    Abstract [en]

    Our voice and body are important parts of our self-expression and self-experience for all of us. They are also essential for our way to communicate and build relations cross borders such as abilities, ages, locations and backgrounds. Voice, body and tangibility gradually become more important for ICT, due to increased development of tangible interaction and mobile communication. The voice and tangible interaction therefore also become more important for the Universal Design field. In this paper we present and discuss our work with voice and tangible interaction in our ongoing research project RHYME. The goal is to improve health for families, adults and children with disabilities through use of collaborative, musical, tangible and sensorial media. We build on use of voice in Music Therapy, knowledge from multi-sensory stimulation and on a humanistic health approach. Our challenge is to design vocal and tangible interactive media that are sensorially stimulating. Interactive media that through use reduce isolation and passivity and increase empowerment for all the users. We use sound recognition, generative sound synthesis, vibrations and cross-media techniques, to create rhythms, melodies and harmonic chords to stimulate voice-body connections, positive emotions and structures for actions.

  • 36.
    Andersson, Anders-Petter
    et al.
    Kristianstad University, School of Health and Society, Avdelningen för Hälsovetenskap II. Kristianstad University, Research Platform for Collaboration for Health.
    Cappelen, Birgitta
    Oslo School of Architecture and Design.
    Vocal and tangible interaction in RHYME2014In: Music, Health, Technology and Design / [ed] Stensæth, Karette, Oslo: Norwegian Academy of Music , 2014, 21-38 p.Chapter in book (Refereed)
    Abstract [en]

    Our voice and body are important parts of our self-expression and self-experience for all of us. They are also essential for our way to communicate and build relations cross borders such as abilities, ages, locations and backgrounds. Voice, body and tangibility gradually become more important for Information and Communication Technology (ICT), due to increased development of tangible interaction and mobile communication. The voice and tangible interaction therefore also become more important for the fields of Assistive Technology, Health Technology and Universal Design. In this paper we present and discuss our work with voice and tangible interaction in our on-going research project RHYME. The goal is to improve health for families, adults and children with disabilities through use of collaborative, musical, tangible and sensorial media. We build on use of voice in Music Therapy, knowledge from multi-sensory stimulation and on a humanistic health approach. Our challenge is to design vocal and tangible interactive media that are sensorially stimulating. Interactive media that through use, can reduce isolation and passivity and increase empowerment for all the users. We use sound recognition, generative sound synthesis, vibrations and cross-media techniques, to create rhythms, melodies and harmonic chords to stimulate voice-body connections, positive emotions and structures for actions.

  • 37.
    Andersson, Anders-Petter
    et al.
    Kristianstad University, School of Health and Society. Kristianstad University, Forskningsplattformen Hälsa i samverkan.
    Cappelen, Birgitta
    The Oslo School of Architecture and Design.
    Vocal and tangible technology for music and health2013In: Book of abstracts: setting the tone: cultures of relating and reflecting in music therapy / [ed] Gro Trondalen, Oslo: The Norwegian Academy of Music , 2013, 24-24 p.Conference paper (Refereed)
    Abstract [en]

    Our voice and body are important parts of our self-expression and self-experience. They are also essential for our way to communicate and build relations cross borders like abilities, ages, locations, backgrounds and cultures. Voice and tangibility gradually become more important when developing new music technology for the Music Therapy and the Music and Health fields, due to new technology possibilities that have recently arisen. For example smartphones, computer games and networked, social media services like Skype. In this paper we present and discuss our work with voice and tangible interaction in our ongoing research project. The goal is to improve health for families, adults and children with severe disabilities through use of collaborative, musical, tangible sensorial media. We build on use of voice in Music Therapy and studies by Lisa Sokolov, Diane Austin, Kenneth Bruscia and Joanne Loewy. Further we build on knowledge from Multi-sensory stimulation and on a humanistic health approach. Our challenge is to design vocal and tangible, sensorially stimulating interactive media, that through use reduce isolation and passivity and increase empowerment for all the users. We use sound recognition, generative sound synthesis, vibrations and cross- media techniques, to create rhythms, melodies and harmonic chords to stimulate body- voice connections, positive emotions and structures for actions. The reflections in this paper build on action research methods, video observations and research-by-design methods. We reflect on observations of families and close others with children with severe disabilities, interacting in three vocal and tangible installations.

  • 38.
    Andersson, Anders-Petter
    et al.
    Kristianstad University, School of Health and Society, Avdelningen för Hälsovetenskap II. Kristianstad University, Forskningsplattformen Hälsa i samverkan.
    Cappelen, Birgitta
    Oslo School of Architecture & Design.
    Olofsson, Fredrik
    Designing sound for recreation and well-being2014In: Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2014) / [ed] Baptiste Caramiaux, Koray Tahiroğlu, Rebecca Fiebrink, Atau Tanaka, 2014, 529-532 p.Conference paper (Refereed)
    Abstract [en]

    In this paper we explore how we compose sound for an interactive tangible and mobile interface, where the goal is to improve health and well-being for families with children with disabilities. We describe the composition process of how we decompose a linear beat-based and vocal sound material and recompose it with real-time audio synthesis and composition rules into interactive Scenes. Scenes that make it possible for the users to select, explore and recreate different sound worlds. In order to recreate, the users interact with the tangible interface in different ways, as instrument, play with it as a friend, improvise and create music and relax with it as ambient sounding furniture. We discuss composition techniques for mixing sound, tangible-physical and lighting elements in the Scenes. Based on observations we explore how a diverse audience in the family and at school can recreate and improvise their own sound experience and play together in open and non-therapeutic everyday situations. We conclude by discussing the possible impact of our findings for the NIME-community; how the techniques of decomposing, recomposing and recreating sound, based on a relational perspective, could contribute to the design of new instruments for musical expression.

  • 39.
    Andersson, Anders-Petter
    et al.
    Kristianstad University, School of Health and Society.
    Cappellen, Birgitta
    The Oslo School of Architecture and Design.
    Same but different: composing for interactivity2008In: Audio Mostly Conference: A Conference on Interaction with Sound, October 22-23 2011, Luleå University, Interactive Institute, Sonic, 2008, 80-85 p.Conference paper (Refereed)
    Abstract [en]

    Based on experiences from practical design work, we try to show, what we believe, are the similarities and differences, between composing music for interactive media compared to linear music. In our view, much is the same, built on traditions that have been around for centuries within music and composition. The fact that the composer writes programming code is an essential difference. Instead of writing one linear work, he creates infinite numbers of potential musics that reveal themselves as answers to user interactions in many situations. Therefore, we have to broaden our perspectives. We have to put forward factors that earlier was implicit in the musical and music making situations, no matter if it was the concert hall, the church, or the club. When composing interactive music we have to consider the genre, the potential roles the listener might take, and the user experience in different situations.

  • 40.
    Andersson, Carl-Johan
    Kristianstad University, School of Teacher Education.
    An American Dream torn to pieces: An essay analysing Julie Otsuka’s When the Emperor was Divine2011Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
  • 41.
    Andersson, Erica
    Kristianstad University, School of Education and Environment.
    Att få plats i samma lilla kostym: två muslimska församlingars arbete för att förmedla bilden av islam som en fredens religion2011Independent thesis Basic level (university diploma), 15 credits / 22,5 HE creditsStudent thesis
    Abstract [sv]

    Västerländska icke-muslimer har sedan 2000-talets början fått en allt mer negativ attityd gentemot islam och muslimer. På grund av faktorer som medias negativa förmedling av religionen genom upprepade associationer med terrorism har en förvanskad bild av islam som en politisk ideologi snarare än en religion och muslimer som ett enhetligt folkslag spritt sig hos Europas icke-muslimer. Muslimer kategoriseras som en massa där alla enskilda individer ska passa i samma lilla kostym, oavsett om den i verkligheten är för lång eller kort. Även i Sverige märks den allt mer påtagliga och inte sällan accepterade islamofobin, inte bara genom nyhetsmedias negativa förmedling av religionen och dess utövare utan även genom att islamfientliga partier som Sverigedemokraterna vinner allt större gehör hos så väl skolungdomar som hos den röstberättigade befolkningen. Den här uppsatsen har som syfte att ta reda på hur två lokala muslimska församlingar arbetar med att förmedla en mer positiv bild av islam och muslimer till samhället. Det visade sig att de två intervjuade imamerna båda ansåg att det bästa sättet att förmedla en positiv bild av islam på är att vara en så god muslim som möjligt. Genom att med sin blotta närvaro kunna bevisa att den negativa bilden är felaktig menar de att den icke-muslimska befolkningen kommer att uppleva sann kunskap om islam och muslimerna och då få en förändrad attityd till dem. Syftet var också att ta reda på hur arbetet med ungas tankar kring islam ser ut, och det visade sig att det arbetet ser ungefär likadant ut oavsett vilket åldersspann som är målgrupp. Återigen är det genom att sprida sann kunskap om islam och därmed öka förståelsen för muslimer och islamisk kultur.

  • 42.
    Andersson, Hanna
    Kristianstad University, School of Health and Society.
    ”Något fel är det med honom, han kommer säkerligen aldrig att bliva en god medborgare”: En studie om barnavårdsnämnden, skolan och de avvikande barnen i 1930-talets Malmö stad2012Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This study, a document analysis with a qualitative approach, explores children, under 18years, who have been subject to measures of child welfare in the city of Malmö during theyears 1935-1937. It also explores the school's role in this context. The questions that the studyis guided by is: How was children described in the Child Welfare documents in Malmö duringthe years 1935-1937? And what role did the school have in Child Welfare work and whatmotivated this? The theoretical approaches are Foucaults theories of power, control anddisciplining.It appears from the study that the school and child welfare authorities had a close cooperationwith the purpose to control the upbringing and disciplining of the children. It was through theupbringing that the deviant child would become a "normal", docile and good, industriouscitizen. The school, as well as the board, had to shoulder a part of the upbringing when theparents skills in their upbringing of the children was questioned by society.This study can hopefully provide knowledge and understanding of our social history, it mayhelp us to understand the great changes that have occurred and what is still unchanged.

  • 43.
    Andersson, Hans
    et al.
    Lunds universitet.
    Billberg, Ingmar
    stadsantikvarie, Malmö.
    Connelid, Pär
    Kula HB, Varberg.
    Regnéll, Joachim
    Kristianstad University, School of Education and Environment, Avdelningen för Naturvetenskap. Kristianstad University, Research environment Man & Biosphere Health (MABH).
    Bebyggelse och odlingsmark i Skavarps äng2016In: Kan man leva på en ödegård: huvudgårdar, landbotorp och odlingssystem under medeltid i Lägerbobygden, Östergötland / [ed] Hans Andersson & Mats Widgren, Stockholm: Kungl. Vitterhets historie och antikvitets akademien , 2016, 77-137 p.Chapter in book (Other academic)
  • 44.
    Andersson, Ingemar
    et al.
    Kristianstad University, School of Health and Society, Avdelningen för Hälsovetenskap II. Kristianstad University, Forskningsmiljön Människa - Hälsa - Samhälle (MHS).
    Leden, Ido
    Centralsjukhuset, Kristianstad.
    Vården av skönlitteratur hälsosamt för medicinare2014In: Läkartidningen, ISSN 0023-7205, E-ISSN 1652-7518, no 48, 2172-2173 p.Article in journal (Other academic)
  • 45.
    Andersson, Kristofer
    Kristianstad University, School of Education and Environment.
    Svedjebrukets slutskede: En studie av svedjebruket och landskapet i Algustorp, Röke socken, norra Skåne, ca 1800-19002017Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Relativt lite forskning har de senaste årtiondena bedrivits gällande svedjebruket, i synnerhet förekomsten och utbredningen av svedjeland inom enskilda byar. Arealen svedjad mark i förhållande till arealen åkermark i byn Algustorp, Röke socken, norra Skåne utgör grunden för denna studie. Gunhild Weimarck publicerade 1953 en avhandling där arealen svedjad mark jämförs med arealen åkermark i Lönsboda, Örkened socken, nordöstra Skåne. För denna uppsats är jämförelser mellan de två byarna fundamental, det vill säga en komparativ studie där likheter och skillnader diskuteras utifrån olika parametrar. Uppsatsen ska dessutom ge ökad kännedom om svedjebrukets förekomst i fem närbelägna byar i anslutning till Algustorp, belysa svedjandets betydelse för agrarsamhället och framför allt redogöra för svedjelandens omfattning inom byn Algustorp. För att möjliggöra detta har källmaterial i form av frågelistsvar, jordeböcker och historiskt kartmaterial varit grundläggande för studien. Analyser av geografisk information i applikationen ArcMap har underlättat beräkningen av arealen svedjemark respektive åkermark i Algustorp. Resultatet visar att arealen svedjeland i Algustorp var mindre än byns åkerareal, till skillnad från Lönsboda, där svedjemarkens areal istället var större i förhållande till byns åkermark. Detta fenomen tycks bero på regionala skillnader, det vill säga olikartade markförhållanden i de olika byarna. Tillgången på odlingsbar mark framstår som mycket liten i Lönsboda. Därmed förekom större arealer svedjemark i Lönsboda till skillnad från Algustorp, där förutsättningarna för spannmålsodling till synes är mera gynnsamma. Det är med stor sannolikhet naturgivna förhållanden, främst jordartssammansättningen, som pådrivit ett större behov av att nyttja svedjebruk i Lönsboda.

  • 46.
    Andersson, Martin
    Kristianstad University, School of Education and Environment.
    In the Name of God: en studie om hur religiösa budskap kommer till uttryck i hårdrockstexter2011Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsen handlar om hur religion kan användas samt komma till uttryck i hårdrockstexter. Undersökningen har skett genom analys av åtta olika låttexter, som belyser olika aspekter av religionen. Analysen tog fasta på texternas religiösa budskap, användandet av eventuella religiösa metaforer samt hur texterna kan ses som en del av en religiös mångfald. Metoden som har använts är en kvalitativ textanalys med en hermeneutisk utgångspunkt. Som teori valdes Rodney Starks ”fortlevnadsteori” som utgår från den ”rational choice”-teoretiska modellen. Resultatet av undersökningen visade på en stor bredd av budskap. I ett av fallen kunde en vädjan om att börja tro på Gud uttydas, i två andra fanns en underton av varning för destruktiva sekter, två av texterna kritiserade kristendomen utifrån två olika aspekter och slutligen fanns två texter med ett direkt sataniskt och individualistiskt budskap. Direkta religiösa metaforer förekom endast i två texter. Vad gäller den religiösa mångfalden kunde man konstatera att texterna i flera fall kan vara ett uttryck för detta. Detta gäller inte minst i en tid då privatreligiositet sakta utkonkurrerar den organiserade, traditionella religionen och med tanke på de närmast religiösa känslor som musiken kan väcka hos lyssnaren. Detta förklaras genom att tron finner nya sätt att nå ut till människor, vilket även är relaterat till hur samhällsmönstret förändras.

  • 47.
    Andersson, Martin
    Kristianstad University, School of Teacher Education.
    När järnhästarna kom till stan: En studie av järnvägsdebatten i Kristianstadsbladet 18592010Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Uppsatsen handlar om den diskussion som fördes kring järnvägen innan den södra stambanan grenade ut sig till Kristianstad. Studien tar sin utgångspunkt i år 1859, drygt fem år innan byggandet från dagens Hässleholm påbörjas. Genom att utgå från insändare till tidningen Kristianstadsbladet detta år vill uppsatsen belysa vilka frågor som var mest tongivande i diskussionen, vilket eventuellt motstånd som fanns mot järnvägen samt utifrån vilka aspekter och intressen man argumenterade. Metoden som har använts är en kvalitativ textanalys med en historiematerialistisk ansats som utgångspunkt. Resultatet av studien visade att de mest framträdande frågorna i diskussionen var hur banan skulle finansieras och var exakt banan skulle gå. Studien visade även att det inte fanns något större motstånd mot järnvägsbygget, vilket så var fallet på vissa andra håll i Sverige. De vanligast förekommande argumenten för ett byggande utgick oftast ifrån ekonomiska aspekter kring järnvägens lönsamhet.

  • 48.
    Andersson, Robert
    Kristianstad University College, Department of Behavioural Sciences.
    Dygden har jag platt försummat: subjektskapande praktiker inom kriminalpolitiken2007In: Fredriksson, J., Larsson, E., Att rätt förfoga över tingen: historiska studier av styrning och maktutövning, Uppsala: Historiska institutionen, Uppsala universitet , 2007, 87-106 p.Chapter in book (Other academic)
  • 49.
    Andrén, Mats
    et al.
    Lunds universitet.
    Andersson, Annika
    Lunds universitet.
    Håkansson, Gisela
    Lunds universitet.
    Gullberg, Marianne
    Lunds universitet.
    Johansson, Victoria
    Kristianstad University, School of Education and Environment, Avdelningen för Humanvetenskap. Lunds universitet.
    Sayehli, Susan
    Lunds universitet.
    Att lära sig språk2013In: Språket, människan och världen: människans språk 1-2 / [ed] Victoria Johansson, Gerd Carling & Arthur Holmer, Lund: Studentlitteratur AB, 2013Chapter in book (Other (popular science, discussion, etc.))
  • 50.
    Arnesten, Emilie
    Kristianstad University, School of Education and Environment.
    Hydroarkeologi på Västgötaslätten: en kartstudie av sambandet mellan fornlämningar och förhistorisk hydrologi.2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This bachelor thesis investigates hydroarchelogy through several studies of maps, ancient remains and their relationship to the hydrology of the prehistoric landscape in a selected area in Sweden where a prehistoric hydrological situation has been recreated. The focus of this thesis is remains which are located over 1 000 meters from a body of water today, but which have water within 1 000 meters on historical maps.

     

    Ancient remains are generally situated relatively close to the present bodies of water and among the studied remains the dominating types are graves and tools. The majority of the remains date back to the prehistory and between the 18th century and today the land use surrounding the remains has consisted of an increasing part of open field. The water has changed both by natural and antropogen causes and the major antropogen changes started around 1800. The studied area probably has a totally different hydrological appearance today compared to during the prehistory.

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