hkr.sePublications
Change search
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Designing sound for recreation and well-being
Kristianstad University, School of Health and Society, Avdelningen för Hälsovetenskap II. Kristianstad University, Forskningsplattformen Hälsa i samverkan. (Interactive Sound Design, Research Platform for Collaboration for Health)
Oslo School of Architecture & Design.
2014 (English)In: Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2014) / [ed] Baptiste Caramiaux, Koray Tahiroğlu, Rebecca Fiebrink, Atau Tanaka, 2014, p. 529-532Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

In this paper we explore how we compose sound for an interactive tangible and mobile interface, where the goal is to improve health and well-being for families with children with disabilities. We describe the composition process of how we decompose a linear beat-based and vocal sound material and recompose it with real-time audio synthesis and composition rules into interactive Scenes. Scenes that make it possible for the users to select, explore and recreate different sound worlds. In order to recreate, the users interact with the tangible interface in different ways, as instrument, play with it as a friend, improvise and create music and relax with it as ambient sounding furniture. We discuss composition techniques for mixing sound, tangible-physical and lighting elements in the Scenes. Based on observations we explore how a diverse audience in the family and at school can recreate and improvise their own sound experience and play together in open and non-therapeutic everyday situations. We conclude by discussing the possible impact of our findings for the NIME-community; how the techniques of decomposing, recomposing and recreating sound, based on a relational perspective, could contribute to the design of new instruments for musical expression.

Place, publisher, year, edition, pages
2014. p. 529-532
National Category
Music
Identifiers
URN: urn:nbn:se:hkr:diva-12933ISBN: 978‐1‐906897‐29‐1 (print)OAI: oai:DiVA.org:hkr-12933DiVA, id: diva2:749116
Conference
International Conference on New Interfaces for Musical Expression (NIME 2014)
Available from: 2014-09-23 Created: 2014-09-18 Last updated: 2014-12-07Bibliographically approved

Open Access in DiVA

fulltext(2018 kB)371 downloads
File information
File name FULLTEXT01.pdfFile size 2018 kBChecksum SHA-512
d6f5003854ab59329fca221f34f024ad9ce650f04878d05cf204ebf7aea79b89eab4ce87cdd486272c6d6fbbeac55709a243088c13e385db62934734bc9d3c0c
Type fulltextMimetype application/pdf

Other links

Proceedings

Authority records

Andersson, Anders-Petter

Search in DiVA

By author/editor
Andersson, Anders-Petter
By organisation
Avdelningen för Hälsovetenskap IIForskningsplattformen Hälsa i samverkan
Music

Search outside of DiVA

GoogleGoogle Scholar
Total: 373 downloads
The number of downloads is the sum of all downloads of full texts. It may include eg previous versions that are now no longer available

isbn
urn-nbn

Altmetric score

isbn
urn-nbn
Total: 988 hits
CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf