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From designing objects to designing fields: from control to freedom
Oslo School of Architecture and Design. (Interaction Design, Design)
Malmö högskola. (Interactive Sound Design, Computer Science)
2003 (English)In: Digital Creativity, ISSN 1462-6268, E-ISSN 1744-3806, Vol. 14, no 2, p. 74-90Article in journal (Refereed) Published
Abstract [en]

In this paper we want to explore Field as a concept and as a metaphor for understanding interactive systems. By interactive systems we mean both systems and artworks, where the user by interacting changes the course of events. We intend to show why we need new terms and why we consider Field to be a fruitful concept and term. Further we will show how the Field concept changes both our understanding of what we do as designers and composers and how we acknowledge our audience. We will exemplify the design consequences of the Field concept by going through some design considerations we made when designing the audio tactile installation Mufi.

Place, publisher, year, edition, pages
2003. Vol. 14, no 2, p. 74-90
Keywords [en]
interaction design, music, Interactive Sound Design
Keywords [sv]
interaktionsdesign, musik, Interaktiv ljuddesign
National Category
Musicology Humanities and the Arts Studies on Film Art History Other Social Sciences not elsewhere specified Information Systems
Identifiers
URN: urn:nbn:se:hkr:diva-7888DOI: 10.1076/digc.14.2.74.27867OAI: oai:DiVA.org:hkr-7888DiVA, id: diva2:403359
Projects
Interactive Music CompositionInteractive Sound DesignAvailable from: 2011-03-12 Created: 2011-03-12 Last updated: 2018-01-12Bibliographically approved

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Cappelen, BirgittaAndersson, Anders-Petter

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CiteExportLink to record
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Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf